Saturday, 26 November 2016

Dear Zindagi --- Refreshing, Insightful – Experimental Cinema without drama

It is one of the noblest films that I have ever seen. During the viewing of Gauri Shinde’s Dear Zindagi, I was struck by refreshing dialogues and screenplay of family relationships and love.  Writer-director Gauri Shinde’s Dear Zindagi comes four years after her remarkable debut with English Vinglish. In this film, there are characters and no hero and heroines.

The film revolves around a young girl Kaira (Alia Bhatt), a talented young cinematographer in Mumbai. She suffers from childhood insecurities. Her challenges in love, developing relationships are portrayed well and finally she seeks professional help. The person who plays a brilliant therapist is Shahrukh Khan. (Dr. Jehangir Khan) . In short, its story of a girl who gets help from a therapist and finally able to live life freely without fears.  

Many viewers of this film will feel that after the first half the story seems very predictable, which seems like an odd complaint, given that script has noble intent.  But if you think of “Dear Zindagi” regarding a commercial drama rather than as a mere story of a woman rebuilding her life, getting free from her fears, you might have to admit they're building something meaningful which will be liked many intellectual or philosophical audience.

The direction, the photography, the editing, the production design and most of the performances are on point. However, the movie has primary exceptions. It does not have drama, it doesn’t have a plot! It is trying to redefine the concept of hero and heroine, and there is no storyteller and story evolves with dialogues and its characters. This is unique Hindi movie, and we must applaud Gauri Shinde for an attempt she has made. However, it fail short of a masterpiece.

If you look at the story, it’s interesting, the writer’s approach to the story is broad, covering as many pieces of the story as possible, always highlighting, with mixed results and definitive emotion. Kaira’s emotion as a child and her detailed memory around her letters, her emotions when she connects her boyfriends and when her parents left her. Still, the movie is not emotional but a well-balanced screenplay with full dialogues. Someone may even label as “wordy film” as dialogues are meant to inspire the audience and not the beauty of heroine or the power of the hero.
Shahrukh Khan brings the charm and makes the character believable. This must be one of the best Alia Bhatt movies. Songs of the film are relevant. However, how many people want have two-hour counseling session about life without much of the drama? Very few like me. Hence I doubt that it will be commercial hit.

Another part, the story doesn’t make Shahrukh as larger than life person who can solve anything but remains a ground to earth therapist that we meet in our lives. He does offer humor in parts. This is the beauty of the movie as well its weakness as Indian masses are inspired by larger than life heroes and not by ordinary human beings.

On the screenplay, the story of upper-middle-class, young Indian woman trying to resolve her challenges has been painted with a lot of honesty.
About the sets of the movie, Gauri, and her colleagues cared enough to lavish as much energy on the less significant parts of the frame, and they made it realistic.
To conclude this, I will recommend this movie as it's honest and noble and realistic film. But if you love drama, emotions, larger than life set than don’t watch this one.

This is for all those who love an honest cinema, experimental cinema.

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